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My Kavinsky
Even when the two main characters
of a cheesy romcom
make their relationship public,
they’re still supposed to end up together
and have a happy ending,
no matter what.
No amount of attention from friends
drives them apart indefinitely;
the two main characters’ relationship
is usually stronger and worth more than that
since their feelings are usually mutual -
after all,
hushed giggles, not-so-subtle touches,
and late night video calls
are usually indicators of mutual feelings,
aren’t they?
Peter Kavinsky openly passed love notes
to Lara Jean in the cafeteria,
playing their peers
like puppets, and
scripting lines and
staging new behavior
to make their make-believe
seem real.
Yet they still
got their happy ending.
But my Kavinsky,
the same Kavinsky who I had once associated with
hushed giggles, not-so-subtle touches,
and late night video calls,
became unrecognizable.
Innocent love notes turned into
derisive text messages that read
“wtf? did you tell people we’re going on a date?
why does everyone know
we’re going out?”
and “you should look at yourself and
lower your standards to match
because
it’s never going to happen.”
I hadn’t realized that his interpretation
of going out
was different from mine
even though it was the same word.
He just wanted
to hang out
platonically,
with no strings attached.
He wove an illusion so convincing,
like a puppeteer, skilled in his act.
I was but his little marionette,
a pretty little doll,
hanging on by a thread.
My puppet master
showed me the way,
contorting my body in any which way.
Folded up in all of my Kavinsky’s love notes
were fragments of the doll he wanted me to be.
Puppeteers only
care for their dolls
when they are useful,
but broken dolls are anything but that.
I forgave his careless cussing
and sharp comments
because he was my master,
and I was a volatile doll
scared of snapping
at any moment.
But he chose me
in spite of my volatility.
And I wanted to
make myself worthwhile.
Because my Kavinsky cares for me
more than any other puppet master would.
And without a puppeteer,
marionettes are nothing but
broken dolls
with no purpose.
Eventually,
playing our peers
like puppets, and
scripting lines and
staging new behavior
to make their make-believe
seem real
will get us our happy ending,
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Hi TeenInk! My name is Rachel and I'm currently a senior attending high school in Singapore. This piece is my most recent creative work and explores my first-ever situationship from a few years back. I alluded to Peter Kavinsky and Lara Jean from "To All the Boys I've Loved Before" to compare the cheesy romcom to what I feel like is the reality of many situationships/relationships. My poem also explores ideas such as emotional manipulation and how it affected me.